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On the flipside is the inimitable singer Grace Jones, whose maternity clothing was created in by her partner Jean-Paul Goude and Puerto Rican fashion designer Antonio Lopez. No matter what they wear, embodied experiences of pregnancy in the U. As Malsin discovered, there was power and currency in fashion for pregnant women. Not a garment but an accessory, the breast pump surged in sales after the passage of the Affordable Care Act in , which mandated coverage of lactation services a mere seventeen years before, state laws had yet to be passed to protect the right to breastfeed in public. Maternity and fashion have long been uneasy bedfellows.

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When a quarter of postpartum U. TV audiences were mesmerised by the drama playing out on their screens. Lauded as a product that helps lactating people move with freedom while still being able to breastfeed their offspring, it is also a design that follows neatly in the path of the gadgets the I Love Lucy generation were sold for their home: washing machines, kitchen blenders, hair dryers. Some were pregnant, and others were not, but all wanted a dress that would fit their body size which for all of us, is always subject to change. While these beacons of matrescene break the internet, they are simultaneously enclosed behind an enceinte wall of glossy, social-media fuelled images that disguise and distract attention from the socially-dictated mandates that leave pregnant people so vulnerable. The company also offered maternity wear by mail-order catalogue, modelled there and in other advertisements by chaste waifs whose slim bodies remained within the bounds of good taste and aspiration.

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